Goats, Stews and Stories; Ayamase at Chishuru

Nigerian goats ayamase stew at Brixton restaurant Chishuru

Goats have a habit of finding themselves in stews and stories. It’s their fate, their destiny, and it’s been like that for over ten thousand years…

 

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According to a Nigerian folk tale, there was once a rich man, who went by the name of Abdullahi. He owned a considerable number of cattle, sheep and, most of all, goats. However, he was a lonely man, with no family or friends for company.

One day, he met the judge of the town, who advised that when he died, all his cattle, sheep and goats would pass to the chief.

‘I don’t want the chief getting all these things,’ replied Abdullahi disgruntledly. ‘I’d rather sell them and enjoy life while I still can.’

Now words have the habit of catching on the wind, and little did Abdullahi know that he’d been overheard by the town rascal, who was already hatching mischief with his gang.

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‘A Tale of Two Fish Balls’ – Trini Saltfish Fritters & Grandma’s Gefilte

A plate of Trinidadian fish fritters, alongside Jewish gefilte fish.

Brixton has an energy, a palpable energy, that I love. From the stalls that line Electric Avenue and Atlantic Road, to the shop frontages that spill out onto the streets, there’s often a buzz as the traders go about their business, hollering out the specials, or just casually chit-chatting under the tarpaulin.

This neighbourhood may be attracting the unsavoury attention of developers and landlords, who prefer to see it in terms of profit and turnover, rather than communities and livelihoods. But for now, the markets keep on going, nourishing and sustaining the various communities that call Brixton home: West African, Caribbean, Latin American, and many others besides.

And then there are the outsiders like me, who come for a few hours at a time. Like I am today – making the most of a glorious summer’s day, and a momentary lull in the global pandemic.

So after months where home has been both a haven and a fortress, I’m venturing out of my hibernation, stretching out stiff limbs, breathing in air that seems unusually fresh, and reconnecting with the outside world.

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SMOKE AND SALT; The Life and Times of a Shipping Container

Smoke and Salt shipping container, an imagined journey of its travels across the world.

I lie by the dockside, just down from the factory whose clanking machinery created my lines and sides and corners and spaces. Freshly painted across my frontage, an array of industrial hieroglyphics – China International Marine Containers, Hapag-Lloyd, HLXU2003419, 22G1, Max Payload 29,230kg – numbers defining who I am, numbers defining what I can be.

Shanghai sprawls resolutely behind the harbour-front; its forest of cranes and concrete criss-cross the dawn sky, soaring totems to the gods of a new world.

Through Pudong’s early morning haze, neon lights pulse green and red, beacons dancing to the relentless beat of the metropolis. And just beyond, the grand old facades of the Bund, still resplendent in their neoclassical and art-deco finery, their stories written over a century ago.

But my future lies in the other direction, not inland but out across the East China Sea. The dawn horizon calls out to me, whispering promises of marvels and adventure.

My first consignment is a cargo of high-tech computer equipment, loaded up by the dock-handlers on the 4am shift. I hear their banter as they work. Their calloused nicotine-stained hands speak of years on the dockside, whilst this passage of time has perfected their collective operations into a balletic choreography. They know each other well; they are like family.

A crane hoists me up high into the sky, a lofty leap towards those skyscraper peaks, wondering when I’ll next see them again. Next week? Next month? Never?.. And then down onto the foredeck, where the stevedores lower me onto a maze of containers, each with their own voyages and destinies.

And so on this day, my work begins. I’m a missionary, whose belly carries the new Chinese economy across the world.

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Masterchef Poem, aka ‘Ode to Torode’ (feat. NANBAN Epilogue)

A Masterchef poem retelling the story of the 2017 competition.

Masterchef Poem – aka ‘Ode to Torode’

In a deeply secret red-and-silver kitchen,
Somewhere in London or possibly in Hitchin
( – in spite of sweeping skyscraper shots,
I’m guessing it’s filmed somewhere in Herts.)

The contestants listen with a sense of forebode
To cheeky-chappy Gregg and his mate John Torode.
It’s The Market Challenge!” they boldly disclose,
That’s a pimped-up version of (the Hitchin) Waitrose.

The clock starts ticking, contestants are aflutter.
It’s Supermarket Sweep with organically-made butter
That’s been churned from a cow, who’s been pampered to the hilt
With a daily massage on Egyptian-cotton quilt.  View Post